Art & Music: Find Books

"World music" emerged as a commercial and musical category in the 1980s, but in some sense music has always been global. Through the metaphor of encounters, Music and Globalization explores the dynamics that enable or hinder cross-cultural communication through music. In the stories told by the contributors, we meet well-known players such as David Byrne, Peter Gabriel, Sting, Ry Cooder, Fela Kuti, and Gilberto Gil, but also lesser-known characters such as the Senegalese Afro-Cuban singer Laba Sosseh and Raramuri fiddle players from northwest Mexico. This collection demonstrates that careful historical and ethnographic analysis of global music can show us how globalization operates and what, if anything, we as consumers have to do with it.

The Bloomsbury Encyclopedia of Popular Music Volume 1 provides an overview of media, industry, and technology and its relationship to popular music. In 500 entries by 130 contributors from around the world, the volume explores the topic in two parts: Part I: Social and Cultural Dimensions, covers the social phenomena of relevance to the practice of popular music.

Bringing together the analytical, aural, and tactile activities that comprise a tonal theory curriculum, The Complete Musician relies on a diverse repertoire and innovative exercises to integrate theory (writing and analysis), skills (singing, playing, and dictation), and music-making outsidethe theory class.Key Features* Common practice literature is the driving force of the text and comprises the bulk of the harmonic dictation component.* Musical examples range from Schutz to Scriabin and from solo vocal and instrumental music to orchestral ensembles. They include popular and folk music.* Topics covered run the gamut from rudiments to compositional processes of the late nineteenth century.*

Why does a clarinet play at lower pitches than a flute? What does it mean for sounds to be in or out of tune? How are emotions carried by music? Do other animals perceive sound like we do? How might a musician use math to come up with new ideas? This book offers a lively exploration of the mathematics, physics, and neuroscience that underlie music in a way that readers without scientific background can follow. David Sulzer, also known in the musical world as Dave Soldier, explains why the perception of music encompasses the physics of sound, the functions of the ear and deep-brain auditory pathways, and the physiology of emotion.

Here is a rich selection of source readings that are not only important historical documents, but also fascinating eyewitness accounts of musicians and music-making from ancient Greece to the present day. More than 200 letters, notes, reviews, biographical sketches, memoirs, manifestos, works of criticism and theory, and a wealth of first-hand descriptions bring alive every musical period-and nearly every major theme, topic, controversy, and development in music history. From the emergence of polyphony to the "death" of tonality-from composers' impassioned artistic statements to their revealing (and often delightfully malicious) letters-from the court music of Renaissance Ferrara to the heady cosmopolitanism of "Les Six"--Boethius to Babbitt-performance to politics-Music in the Western World is an essential guide to understanding the full scope of music history.

Immersed in music for much of his life as writer, broadcaster and concert presenter, former director of the BBC Proms, Nicholas Kenyon has long championed an astonishingly wide range of composers and performers. Now, as we think about culture in fresh ways, Kenyon revisits the stories that make up the classical tradition and foregrounds those which are too often overlooked. This inclusive, knowledgeable, and enthusiastic guide highlights the achievements of the women and men, amateurs and professionals, who bring music to life. Taking us from pianist Myra Hess's performance in London during the Blitz, to John Adams's composition of a piece for mourners after New York's 9/11 attacks, to Italian opera singers singing from their balconies amidst the 2020 pandemic, Kenyon shows that no matter how great the crisis, music has the power to bring us together.

In utter contrast to the obscurity of the medieval period which preceded it, the rapid and unexpected arrival of the Renaissance conquered Europe during the 14th to the 16th centuries. Placing man at its centre, the actors of this illustrious movement radically altered their vision of the world and refocused their aesthetic pursuits towards anatomy, perspective, and the natural sciences. Creator of numerous talents, the Renaissance offered the history of art great names such as Botticelli, Raphael, and Leonardo da Vinci, whose glorious masterpieces still today hang on the walls of museums the world over.

Studies of individual artists (Cézanne, Picasso, Mondrian, and Seurat) as well as essays on the reception and social meanings of modern art. Yet, even in his most aesthetic analyses, Schapiro never lost sight of the heroic efforts of the individual artists and of the cultural contexts in which their works were made and received.

This book will provide students and amateurs of contemporary art and culture with new insights into contemporary art practices and the critical issues that they raise concerning the material status of the art object, the role of the artist in society, and the relation between art and everyday life.

Seventeenth-century Dutch landscapes, still lifes, and scenes of daily life are so realistic in appearance that one would think that the artists painted from life. They actually executed their works in their studios, however, often on the basis of drawings. Dutch artists made many types of preliminary drawings, including broad compositional sketches, drawings of the landscape in their sketchbooks, counterproofs, construction drawings, and individual figural studies. Artists also indicated compositional ideas on their canvases and panels using underdrawings that are revealed through infrared reflectography.